Brian House
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brian dot house at gmail

Brian House is an artist who works with the material ecologies of sound and data. By constructing embodied, participatory systems, he explores how computational temporalities negotiate with the rhythms of everyday life.

Currently, Brian is a fellow at the Tow Center for Digital Journalism at Columbia University. Previously, he was a member of the R&D Lab at the New York Times where his work was recognized by TIME in their "50 Best Inventions of 2011" issue. Brian has also led technology at the award-winning design studio Local Projects, developed interdisciplinary courses at RISD Digital+Media, Parsons Design & Technology, and at Columbia's Graduate School of Architecture, and he has been an artist-in-residence at Eyebeam Art & Technology Center. In 2015, Brian participated in a National Geographic-funded transect of the Okavango river system in central Africa as a technologist and sound recordist.

Brian's work has been exhibited in museums and galleries including MoMA (NYC), MOCA (LA), Cincinnati Contemporary Arts Center, Rhizome at the New Museum (2008 commission), Los Angeles Contemporary Exhibitions, Eyebeam Art & Technology Center, the Beall Center, and Stockholm's Kulturhuset, festivals including Ars Electronica, ISEA, NIME, Conflux, and Megapolis, and venues such as Issue Project Room, Monkeytown, and the Stone. WIRED, TIME, The New York Times, SPIN, Metropolis, and Univision Sports have featured his work, as has Slashdot, Creative Applications, and Create Digital Music. He's presented at Eyeo once and Dorkbot twice.

Brian holds a degree in computer science from Columbia University and one in art from Chalmers University in Göteborg, Sweden. He is currently a doctoral candidate at Brown University and splits his time between Providence and New York. He comes from Denver.