CV
Academic Positions
  • 2023–0000 Assistant Professor of Art, Amherst College, Amherst, MA
  • 2019–2022 Assistant Professor of Art, Lewis & Clark College, Portland, OR
  • 2018–2019 Mellon Associate Research Scholar, Columbia University, New York, NY
  • 2012–2015 Critic, Rhode Island School of Design (RISD), Providence, RI
Education
  • 2018 PhD, Computer Music and Multimedia, Brown University, Providence, RI
  • 2016 MA, Modern Culture and Media, Brown University, Providence, RI
  • 2006 MSc, Art & Technology, Chalmers tekniska högskola, Göteborg, Sweden
  • 2002 BA, Computer Science, Columbia University, New York, NY
Awards, Grants, and Fellowships
  • 2025 Grantee, J & K Altman Foundation, Santa Fe, NM
  • 2024 LL Stewart Fellow, PRAx Center for Creative Arts, Oregon State University, Corvallis, OR
  • 2023 Awardee, Creative Capital, New York, NY
  • 2021 Member, NEW INC, New York, NY
  • 2015 Fellow, Tow Center for Digital Journalism, Columbia University, New York, NY
  • 2007 Commissioned Artist, Rhizome at the New Museum, New York, NY
Residencies
  • 2026 MacDowell, Peterborough, NH
  • 2022 The Arctic Circle Expedition, Svalbard, Norway
  • 2022 Leonardo at Djerassi, Santa Cruz, CA
  • 2022 Center for Art Research, University of Oregon, Corvalis, OR
  • 2018 Maajaam, Otepää, Estonia
  • 2018 Media Archaeology Lab, University of Colorado, Boulder, CO
  • 2016 Rocky Mountain Biological Laboratory (RMBL), Gothic, CO (w/ Lucia Monge)
  • 2016 Studios at MASS MoCA, North Adams, MA
  • 2016 Eyebeam, Brooklyn, NY
  • 2013 Wave Farm, Catskill, NY
  • 2012 Eyebeam, New York, NY
  • 2003 Studio for Electro-Instrumental Music (STEIM), Amsterdam, Netherlands (w/ Megan Metcalf)
Solo Exhibitions
  • 2025 Synchronizing Uncertainty, ArtYard, Frenchtown, NJ
  • 2021 Terminal Moraine, Brooklyn Botanic Garden, Brooklyn, NY (w/ Ben Rubin)
  • 2021 Metric Displacement, Swissnex, San Francisco, CA (w/ Annie Aries & Marcel Zaes)
  • 2018 Fascists, Lovers, and Other Lonely Ghosts, Granoff Center for the Creative Arts, Providence, RI
  • 2012 Quotidian Record, Eyebeam, New York, NY
  • 2009 Knifeandfork, Museum of Contemporary Art (MOCA), Los Angeles, CA (w/ Sue Huang)
  • 2006 5 ’til 12, Beall Center for Art + Technology, Irvine, CA (w/ Sue Huang)
  • 2004 The Case at Kulturhuset, Kulturhuset, Stockholm, Sweden (w/ Sue Huang)
Group Exhibitions
  • 2026 Currents, Patricia Valian Center for the Creative Arts (PRAx), Corvallis, OR
  • 2024 From the Cold Edge, Amos Eno Gallery, New York, NY
  • 2024 The Future of Art, Victoria and Albert Museum (V&A), London, United Kingdom
  • 2024 Musikfestival Bern, Bern, Switzerland (w/ Annie Aries & Marcel Zaes)
  • 2022 Port Futures & Social Logistics, The University of Georgia, Athens, GA
  • 2022 Desbosque, Museo de Arte Contemporáneo, Lima, Perú (w/ FIBRA) *
  • 2019 Submerge, Science Gallery, Bengaluru, India
  • 2019 ...And Other Such Stories, Chicago Architecture Biennial, Chicago, IL (w/ Center for Spatial Research) *
  • 2019 Creature: When Species Meet, Contemporary Art Center (CAC), Cincinnati, OH
  • 2019 MediaLive: Subterranean, Museum of Contemporary Art (BMoCA), Boulder, CO
  • 2019 Collective Action Archive: Redux, Franklin Street Works, Stamford, CT (w/ Sue Huang)
  • 2019 Multispecies Storytelling, Linnaeus University, Växjö, Sweden
  • 2018 Watershed, University of the Witwatersrand, Johannesburg, South Africa *
  • 2018 Metsikud Bitid, Maajaam, Otepää, Estonia *
  • 2018 Trans Utopias. Mobility. Movement. Mobilization, CentroCentro Cultural Centre, Madrid, Spain
  • 2018 Intersections, International Symposium on Electronic Art (ISEA), Durban, South Africa
  • 2017 Feminist Climate Change, Ars Electronica, Linz, Austria (w/ Sue Huang)
  • 2017 Megapolis Audio Art Festival, Philadelphia, PA
  • 2017 Land Trust, Redline Gallery, Denver, CO
  • 2017 Storm Warning, Vicki Myhren Gallery, Denver, CO *
  • 2017 Ever Elusive, Transmediale, Berlin, Germany
  • 2016 The Spaces We’re In, NEoN Digital Arts, Dundee, Scotland (w/ Sue Huang) *
  • 2016 Reality Under Surveillance, Speculum Artium, Trbovlje, Slovenia
  • 2016 Acoustic Infrastructures, Eyebeam, Brooklyn, NY *
  • 2016 Atmospheres, Granoff Center for the Creative Arts, Providence, RI *
  • 2015 Take Karaoke / Fight Logic, Cohen Gallery, Providence, RI *
  • 2015 Infosphere, Center for Art and Media (ZKM), Karlsruhe, Germany
  • 2015 Eyebeam in Objects, Upfor Gallery, Portland, OR *
  • 2015 Captive Portal, Center for Contemporary Art, Tel Aviv, Israel *
  • 2015 New Aesthetic?, Queensland University of Technology, Brisbane, Australia
  • 2015 Art of Self-Tracking, Quantified Self Expo, San Francisco, CA
  • 2015 Lifelogging, Science Gallery, Dublin, Ireland
  • 2015 Ampersand, MIT List Visual Arts Center, Cambridge, MA
  • 2015 From Field Recording to Data Sonification in Late Capitalism, Labor Neunzehn, Berlin, Germany
  • 2014 Wetland, Schuylkill Center, Philadelphia, PA
  • 2014 Data & Society, Rubin Museum, New York, NY *
  • 2014 Pale Firework, Gelman Gallery, Providence, RI
  • 2014 New Interfaces for Musical Expression (NIME), London, United Kingdom
  • 2014 Print Screen, Mediatheque, Holon, Israel
  • 2014 Buildering: Misbehaving The City, Contemporary Arts Center (CAC), Cincinnati, OH (w/ Sue Huang) *
  • 2014 Triennial Symposium, Ammerman Center for Arts and Technology, New London, CT
  • 2013 Total Recall, Ars Electronica, Linz, Austria
  • 2013 Neuromast: Certain Uncertainty and Contemporary Art, Franklin Street Works, Stamford, CT *
  • 2013 Under the Influence, Gelman Gallery, Providence, RI (w/ Kyle McDonald)
  • 2013 PRISM Breakup, Eyebeam, New York, NY (w/ Kyle McDonald) *
  • 2013 Where Are We Now?, The Collection Lincoln & Usher Gallery, Lincolnshire, United Kingdom
  • 2013 iNTERFACES, Black & White Festival, Porto, Portugal
  • 2013 Megapolis Audio Art Festival, New York, NY
  • 2013 Binary, Largo Das Artes, Rio de Janeiro, Brazil
  • 2013 Annual Showcase, Eyebeam, New York, NY
  • 2012 Conflux Festival, New York University, Brooklyn, NY
  • 2012 DataVis: Information as Art, Beall Center for Art + Technology, Irvine, CA
  • 2012 urbanoFILM Festival, Stuttgart, Germany
  • 2010 Relay Drawing, Los Angeles Contemporary Exhibitions (LACE), Los Angeles, CA (w/ Sue Huang) *
  • 2010 Megapolis Audio Art Festival, Baltimore, MD
  • 2008 Conflux Festival, Center for Architecture, New York, NY
  • 2008 FILMOBILE, London Gallery West, London, United Kingdom (w/ Sue Huang)
  • 2008 Design and the Elastic Mind, Museum of Modern Art (MoMA), New York, NY (w/ Christopher Allen, Jesse Shapins, Kara Oehler)
  • 2007 Arte.Mov, Palácio das Artes, Belo Horizonte, Brazil
  • 2007 Conflux Festival, UnionDocs, Brooklyn, NY
  • 2006 Sónar Festival, Barcelona, Spain
  • 2006 ZeroOne, International Symposium on Electronic Art (ISEA), San Jose, CA
  • 2006 Conflux Festival, McCaig-Welles Gallery, Brooklyn, NY (w/ Jesse Shapins)
  • 2005 Glowlab: Open Lab, Art Interactive, Cambridge, MA (w/ Jesse Shapins)
  • 2005 Loving Berlin, Deutsches Architektur Zentrum, Berlin, Germany (w/ Sue Huang) *
  • 2004 Conflux Festival, Participant Inc, New York, NY (w/ Christopher Allen & Jesse Shapins)
  • 2004 Art & Technology, Stadsbiblioteket, Göteborg, Sweden
Discography
  • 2027 Brian House & Sue Huang featuring Robert Black (double bass), Post-Natural Pastorale, Infrequent Seams (forthcoming), Brooklyn, NY
  • 2026 Brian House, Synchronizing Uncertainty, LINE (forthcoming), Los Angeles, CA
  • 2026 Aries / House / Zaes, Network Friction, Editions Verde (EV017), Brooklyn, NY
  • 2025 Brian House, Everyday Infrasound in an Uncertain World, Gruenrekorder (GRUEN 228), Frankfurt, Germany
  • 2017 Brian House, Ngashi / A Hundred Thousand, Kool Killer (KK10-02), Berlin, Germany
  • 2012 Brian House, Quotidian Record, Never Records / Eyebeam (NR-EYE1), New York, NY
  • 2006 Brian House, The Trace, Palanquin (PQR010), Brooklyn, NY
Performances
  • 2026 All Too Human, Ammerman Center for Art & Technology, New London, CT
  • 2025 Everyday Infrasound in an Uncertain World, Fridman Gallery, New York, NY *
  • 2025 New York City Electroacoustic Music Festival (NYCEMF), New York, NY
  • 2025 Residual Noise, Lindemann Performing Arts Center, Providence, RI
  • 2025 New Ear Festival, Fridman Gallery, New York, NY
  • 2024 Everywhen, International Symposium on Electronic Art (ISEA), Brisbane, Australia
  • 2023 The Sound of Changes, International Computer Music Conference (ICMC), Shenzhen, China
  • 2022 New York City Electroacoustic Music Festival (NYCEMF), New York, NY
  • 2021 Displacements, Gray Area, San Francisco, CA (w/ Annie Aries & Marcel Zaes) *
  • 2014 Imprint of the City, Issue Project Room, Brooklyn, NY
  • 2013 New York City Electroacoustic Music Festival (NYCEMF), New York, NY
  • 2012 Forty-eight to Sixteen, Eyebeam, New York, NY *
  • 2011 Live Footage, Platoon Kunsthalle, Seoul, South Korea (w/ Topu Lyo & Mike Thies) *
  • 2010 Live Footage, Echo Curio, Los Angeles, CA (w/ Topu Lyo & Mike Thies) *
  • 2010 Live Footage, Monkeytown, Brooklyn, NY (w/ Topu Lyo & Mike Thies) *
  • 2007 Arte.Mov, Palácio das Artes, Belo Horizonte, Brazil *
  • 2005 Certain Movement, The Tank, New York, NY (w/ Megan Metcalf)
Peer-Reviewed Articles
Book Chapters
  • 2020 Brian House, “Quotidian Record: The Musical Interpretation of Mobile Phone Location Data,” in The Routledge Companion to Mobile Media Art, eds. Larissa Hjorth, Adriana de Souza e Silva, and Klare Lanson, Routledge: 418⁠–⁠425
    http://dx.doi.org/10.4324/9780429242816-49 ⧉
  • 2018 Brian House, “Synchronizing Uncertainty: Google’s Spanner and Cartographic Time,” in Executing Practices, eds. Helen Pritchard, Eric Snodgrass, and Magda Tyźlik-Carver, Open Humanities Press: 117⁠–⁠126 ⧉
  • 2014 Brian House, “Subversive Mobile Storytelling,” in Mobile Media Making in an Age of Smartphones, eds. Marsha Berry and Max Schleser, Palgrave Pilot: 68⁠–⁠77
    https://doi.org/10.1057/9781137469816_7 ⧉
Essays
  • 2026 Brian House, “Body of Air: On Infrasound and Sensing Crisis,” Regeneration, February 17 ⧉
  • 2020 Brian House, “The Noise Between,” Avery Review, January 16 ⧉
  • 2019 Laura Kurgan, Dare Brawley, Brian House, Jia Zhang, and Wendy Hui Kyong Chun, “Homophily: The Urban History of an Algorithm,” e-flux Architecture, October 1 ⧉
  • 2019 Brian House, “Stalking the Smart City,” Urban Omnibus, May 2 ⧉
  • 2019 Brian House, “Keeping Time at MAAJAAM,” Estonian Art 2019 (1): 52⁠–⁠55 ⧉
  • 2014 Brian House, “Mary Mattingly’s WetLand,” Title Magazine, September 21 ⧉
  • 2009 Brian House and Jesse Shapins, “Designers & Citizens as Critical Media Artists,” Urban Omnibus, July 1 ⧉
Conference Papers
  • 2026 Brian House, “Echoes of the Atomic Age,“ Ammerman Center Triennial on Arts & Technology, Connecticut College, New London, CT
  • 2025 Brian House, “Infrasound and the Planetary Imaginary,“ Residual Noise, Brown University, Providence, RI
  • 2024 Brian House, “Listening to the Expanded Local,“ Land as Pedagogy, Critical Media Lab, Basel, Switzerland
  • 2024 Brian House, “Nonhuman Listening,“ Climate Sound and Society, Radcliffe Institute, Cambridge, MA
  • 2023 Brian House, “Macrophones: Listening to the Climate Crisis via Infrasound,“ Instruments, Interfaces, Infrastructures, Harvard University, Cambridge, NY
  • 2022 Brian House, “Macrophones: Listening to the Climate Crisis via Infrasound,“ International Symposium on Electronic Art (ISEA), Barcelona, Spain
  • 2022 Brian House, “Extraction and Resonance,“ Urban Violence, University of Oregon, Portland, OR
  • 2021 Brian House, “Macrophones: Listening to the Climate Crisis via Infrasound,“ Society for Literature, Science, and the Arts (SLSA), University of Michigan, Ann Arbor, MI
  • 2021 Brian House, “Workshop: Listening to Forests,“ Critical Zones, Center for Art and Media (ZKM), Karlsruhe, Germany
  • 2021 Brian House, “Macrophone check,“ College Art Association (CAA) / New Media Caucus, Chicago, IL
  • 2018 Brian House, “Everything That Happens Will Happen Today,“ International Symposium on Electronic Art (ISEA), Durban, South Africa
  • 2017 Brian House, “Animal Behavior: Rhythmanalysis and the More-than-Human,“ Society for Literature, Science, and the Arts (SLSA), Arizona State University, Tempe, AZ
  • 2017 Brian House, “On Wifi, Habits, and Rats,“ Radical Networks, Brooklyn, NY
  • 2017 Brian House, “Machine Listening: WaveNet, Media Materialism, and Rhythmanalysis,“ Transmediale, Berlin, Germany
  • 2017 Heidi Steltzer and Brian House, “Seeing Orange, Feeling Blue: Sound Art as an Approach to Bridge the Gap Between Public Perception and Scientific Understanding of Risk,“ American Geophysical Union (AGU), New Orleans, LA
  • 2015 Brian House, “Synchronizing Uncertainty: Google’s Spanner and the Foreclosure of Time,“ PARSE Biennial Research Conference on Time, Göteborg Universitet, Göteborg, Sweden
  • 2015 Brian House, “Quotidian Record: The Musical Interpretation of Personal Geographic Data,“ Inertia, University of California, Los Angeles, CA
  • 2015 Brian House, “Interruption as Rhythm,“ INTERRUPT, Brown University, Providence, RI
  • 2014 Brian House, “OpenPaths: A New Approach to Aggregating Personal Geographic Data,“ Subtle Technologies, Toronto, Canada
  • 2014 Thomas Kirchner, Hong Gao, Andrew Anesetti-Rothermel, Heather Carlos, Brian House, “Longitudinal human mobility and real-time access to a national density surface of retail outlets,“ Workshop on Urban Computing (UrbComp), New York, NY
  • 2013 Brian House, “OpenPaths: Location, encryption, and participatory sensing,“ PRISM Breakup, Eyebeam, New York, NY
  • 2013 Brian House, “Quotidian Record: The Musical Interpretation of Personal Geographic Data,“ Society of Electro-Acoustic Music in the United States (SEAMUS), Wesleyan University, Middletown, CT
  • 2013 Brian House, “OpenPaths: Empowering Personal Geographic Data,“ International Symposium on Electronic Art (ISEA), Sydney, Australia
    http://hdl.handle.net/2123/9719 ⧉
  • 2012 Brian House, “A New Approach to Aggregating Personal Geographic Data,“ American Association of Geographers (AAG), New York, NY
  • 2011 Brian House, “From Psychogeography to Rhythmanalysis,“ Conflux Festival, Brooklyn, NY
  • 2007 Brian House and Jesse Shapins, “The Mixed-Reality City,“ Narrative, Play & Learning in Multimodal Environments, University of Southern Denmark, Odense, Denmark
  • 2007 Brian House, “Subversive Mobile Storytelling,“ Arte.Mov, Belo Horizonte, Brazil
Invited Talks
  • 2026“Infrasound and the Planetary Imaginary,” Harvard University, Cambridge, MA
  • 2026“Coding the Audible,” Rhode Island School of Design (RISD), Providence, RI
  • 2025“Scales of Practice,” New Mexico State University, Las Cruces, NM (w/ Lucia Monge)
  • 2024“Listening to Climate Change,” Wesleyan University, Middletown, CT
  • 2024“Infrasonic Planet,” New York University, New York, NY
  • 2023“Experimental Field Recording,” New York University, New York, NY
  • 2023“Beyond Data Sonification,” California Institute of Technology (Caltech), Pasadena, CA
  • 2021“Beyond Data Sonification,” University of Oregon, Eugene, OR
  • 2021“Adaptive Ecologies,” Rhode Island School of Design (RISD), Providence, RI
  • 2020“Small Sounds, Big Sounds,” Technische Universität (TU), Berlin, Germany
  • 2020“Cities and Computers,” University of California, Davis, CA
  • 2019“Art and Data,” Lewis & Clark College, Portland, OR
  • 2019“Rhythmanalysis of the Earth, the Animal, and the Machine,” Arizona State University, Tempe, AZ
  • 2019“Data Publics and Public Data,” Columbia University (GSAPP), New York, NY
  • 2019“Spatial Narratives,” Hunter College, New York, NY
  • 2019“Aesthetics of Extraction,” NEW INC, New York, NY
  • 2019“Beyond Data Sonification,” Columbia University, New York, NY
  • 2018“Code Ecologies,” School for Poetic Computation, New York, NY
  • 2018“Rats, Robots, and Rhythms,” Cooper Union, New York, NY
  • 2018“Urban Rhythms of Rats and Robots,” Cornell Tech, New York, NY
  • 2018“Deep Learning,” University of Pennsylvania, Philadelphia, PA
  • 2018“Animal Logic,” New York University (ITP), New York, NY
  • 2018“The Earth, the Animal, & the Machine,” Tshimologong Precinct, Johannesburg, South Africa
  • 2018“Rivers, Rats, and RNNs,” Eyeo Festival, Walker Museum of Art, Minneapolis, MN
  • 2017“Art and Data,” NYU Shanghai, Shanghai, China
  • 2017“Data Visceralization,” Connecticut College, New London, CT
  • 2017“Disaster, Data, and the Resonance of a River,” University of Denver, Denver, CO
  • 2016“Rhythmanalysis,” Washington University, St. Louis, MO
  • 2016“Geographic Sonification,” Youngstown State University, Youngstown, OH
  • 2015“Eavesdroppers, Ventriloquists, and Ghosts,” UnionDocs, Brooklyn, NY
  • 2015“Shake Hands like Leaves (w/ Lucia Monge),” AV Synth Workshop, Dartmouth, NM
  • 2015“Tool(),” Rhode Island School of Design (RISD), Providence, RI
  • 2015“Software Social Sculpture,” Oberlin College, Oberlin, OH
  • 2015“Google Maps and artistic practice,” BRIC Arts, Brooklyn, NY
  • 2014 guest critic, Smith College, Northampton, MA
  • 2014“Joyriding,” Leaders in Software Art, New York, NY
  • 2014“Brian House & Nick Felton: Automatic Data, Personal Documentary,” UnionDocs, Brooklyn, NY
  • 2014“Making Design Weird,” Better World by Design, Providence, RI
  • 2014“Quotidian Rhythms and Political Frictions,” Eyeo Festival, Walker Museum of Art, Minneapolis, MN
  • 2013“Locating Data,” School for Poetic Computation, New York, NY
  • 2013“You’ll Just Have to Take my Word for It,” New York University (ITP), New York, NY
  • 2013“Collective Practice: Knifeandfork,” State University of New York, Purchase, NY (w/ Sue Huang)
  • 2013“Poetics of Computer Language,” Eyebeam, Brooklyn, NY
  • 2012 guest critic, Harvard University (GSD), Cambridge, MA
  • 2012 guest critic, Columbia University (GSAPP), New York, NY
  • 2011“Algorithmic Narrative,” Tribeca Cinemas, New York, NY
  • 2011“Data Aesthetics,” Google, New York, NY
  • 2011“Behavior Mining,” OpenPlans, New York, NY
  • 2011“Poetic Urbanisms,” Harvard University (GSD), Cambridge, MA
  • 2011“From Psychogeography to Rhythmanalysis,” Hunter College, New York, NY
  • 2010“Nonlinear Narrative,” University of California, Santa Barbara, CA
  • 2010 guest critic, Parsons School of Design (D+T), New York, NY
  • 2008“Subversive Mobile Storytelling,” Rhode Island School of Design (RISD), Providence, RI
  • 2008“Citizens as Critical Media Artists,” Massachusetts Institute of Technology (MIT), Cambridge, MA (w/ Jesse Shapins)
  • 2008“The Wrench,” Dorkbot, New York, NY
  • 2008“Subversive Mobile Storytelling,” University of Westminster, London, United Kingdom
  • 2008“Nonlinear Narrative in Urban Space,” State University of New York, Buffalo, NY
  • 2007 guest critic, New York University (ITP), New York, NY
  • 2006“Interactivity and Nonlinear Narrative,” Maryland Institute College of Art (MICA), Baltimore, MD
  • 2006“Interactivity and Nonlinear Narrative,” University of California, Irvine, CA
  • 2006“Mobile Social Software,” UCLA Design | Media Arts, Los Angeles, CA
  • 2005“The Digital and the Physical,” Harvard University (GSD), Cambridge, MA
  • 2005“Living Lab,” IT University of Copenhagen, Copenhagen, Denmark
  • 2005“Yellow Arrow,” Dorkbot, New York, NY
  • 2005 guest critic, New York University (ITP), New York, NY
  • 2004“Locative Media,” Massachusetts Institute of Technology (MIT), Cambridge, MA
Selected Bibliography
  • 2026 Arun Rath, Birdi Diehl, Jacklyn Martin, “Exploring the world of sound beyond human hearing,” All Things Considered (NPR), April 8 ⧉
  • 2026 Alper Maral, “Everyday Infrasound in an Uncertain World,” Neue Zeitschrift Für Musik 2026 (1): 80
  • 2026 A.D. Amorosi, “Macrophone Fiend,” SPIN 2026 (Spring): 26
  • 2026 Dana Milbank, “These sounds are all around us—Hear them for the first time,” The Washington Post, March 13 ⧉
  • 2026 Tobias Fischer, “Brian House About Infrasound,” Fifteen Questions, March 11 ⧉
  • 2026 Jesús Quesada, “Un artista ha creado la ‘banda sonora’ de la Tierra a partir de los ruidos imperceptibles de la naturaleza,” National Geographic, March 1 ⧉
  • 2026 Monique Brouillette, “Listen to Earth’s rumbling, secret soundtrack,” MIT Technology Review 129 (2): 6⁠–⁠7 ⧉
  • 2025 Julian Cowley, “Everyday Infrasound in an Uncertain World,” The Wire 502: 64⁠–⁠65
  • 2025 Matthew Blackwell, “The Best Field Recordings of 2025,” Bandcamp Daily, December 11 ⧉
  • 2025 Broc Nelson, “Weekly Featured Artist: Brian House,” Everything is Noise, September 9 ⧉
  • 2021 Greg Smith, “Brian House and Ben Rubin Sonify Deep History at Brooklyn Botanic Garden,” HOLO, September 4 ⧉
  • 2019 Peter Kirn, “This radio station broadcasts sounds of rats—and it sounds amazing,” Create Digital Music, April 8 ⧉
  • 2018 Kara Oehler, “Listen to the World,” The New York Times Magazine, September 23: 36⁠–⁠37 ⧉
  • 2018 Marguerite Holloway, “A Rat Named Nemesis,” The New Yorker, May 19 ⧉
  • 2018 Jessica Thompson, “Beyond ‘Beyond Locative Media Art’: Art, Data & the Politics of Place,” Drain 15 (1) ⧉
  • 2017 Lizzie Plaugic, “This art installation creates sounds based on real-time data from a polluted river,” The Verge, April 25 ⧉
  • 2016 Dan Ehrenfeld, “Brian House: The Cloud and the Mine,” Kairos 21 (1) ⧉
  • 2015 E. Odin Cathcart, “Objectifying Our Digital Lives,” Hyperallergic, September 30 ⧉
  • 2014 Mike Power, “Conversnitch turns covert surveillance into an art form,” The Guardian, May 16 ⧉
  • 2014 Andy Greenberg, “An Eavesdropping Lamp That Livetweets Private Conversations,” WIRED, April 23 ⧉
  • 2014 Adrianne Jeffries, “A lamp is spying on New Yorkers and tweeting their conversations,” The Verge, April 23 ⧉
  • 2014 Lily Hay Newman, “This Light Bulb Is Listening,” Slate, April 23 ⧉
  • 2014 Zach Sokol, “Terrifying Lamp Will Record Your Conversations Then Live-Tweet ‘Em,” Creator’s Project, April 23 ⧉
  • 2012 John Metcalfe, “How One Man’s Bicycle Commute Inspired a Strange Song,” The Atlantic, September 25 ⧉
  • 2012 Greg Smith, “Commute as Composition—Brian House’s Forty-eight to Sixteen,” Creative Applications, September 24 ⧉
  • 2012 Peter Kirn, “In Percussive Harmonies, A Record of a Year of Travel,” Create Digital Music, August 8 ⧉
  • 2012 Janus Kopfstein, “Quotidian Record inscribes a year of location data onto a vinyl EP,” The Verge, July 5 ⧉
  • 2012 Zachary Kaplan, “Knifeandfork,” in Engagement Party: Social Practice at MOCA 2008-2012, The Museum of Contemporary Art: 43⁠–⁠60
  • 2013 Matteo Marangoni, “Quotidian Record: Listening To The Calendar Year,” Neural 46: 26 ⧉
  • 2013 Katherine Brooks, “Quotidian Record: Artist Brian House Turns Tracking Data Into A Vinyl Music Experience,” Huffington Post, July 26 ⧉
  • 2013 Kyle Vanhemert, “Artist Turns a Year’s Worth of Tracking Data Into a Haunting Record,” WIRED, July 22 ⧉
  • 2013 Greg Smith, “Sonification and the (re-)performance of data—an interview with Brian House,” Creative Applications, July 12 ⧉
  • 2013 Jordan Kushins, “Soundtrack Of Your Life: Get Into The Groove Of Tracking Your Every Move In Vinyl,” Fast Company, July 8 ⧉
  • 2011 Nick Carbone, “The 50 Best Inventions of the Year,” TIME, November 28: 72
  • 2011 Mat Honan, “Following a Stolen iPhone’s Path in Google’s Getaway Car,” Gizmodo, July 19 ⧉
  • 2010 Mattia Casalegno, “The Research of Knifeandfork: In Between Technology and Participation,” Digimag Journal 52 ⧉
  • 2010 Rita Raley, “Walk This Way: Mobile Narrative as Composed Experience,” in Beyond the Screen, Transcript Verlag: 299⁠–⁠316
  • 2009 Suzanne Muchnic, “Art Meets Sport at MOCA,” Los Angeles Times, February 23 ⧉
  • 2006 Regine Debatty, “5 ‘til 12,” We-Make-Money-Not-Art, January 16 ⧉
  • 2006 Ethan Todras-Whitehill, “Making Connections, Here and Now,” The New York Times, January 25: G-3 ⧉
  • 2005 Kira Gould, “Sticker Talk,” Metropolis 2025 (February): 40
  • 2005“I Am Curious, Yellow,” Westword, August 4: 6 ⧉
  • 2004 Jeff Howe, “Text in the City,” WIRED 12 (9): 66 ⧉
  • 2004 Hanna Malmodin, “Visitors Solve ‘The Case’,” Dagens Nyheter, April 26: 10