Brian House

Education

2018 PhD, Computer Music and Multimedia, Brown University, Providence
2016 AM, Modern Culture and Media, Brown University, Providence
2006 MSc, Art & Technology, Chalmers tekniska högskola, Göteborg, Sweden
2002 BA, Computer Science, Columbia University, New York

Academic Positions

2023–0000 Assistant Professor of Art, Amherst College, Massachusetts
2019–2022 Assistant Professor of Art, Lewis & Clark College, Portland
2018–2019 Mellon Associate Research Scholar, Columbia University GSAPP, New York
2012–2015 Critic, Rhode Island School of Design, Providence

Selected Non-Academic Positions

2013–2015 Sound Recordist, Okavango Wilderness Project, National Geographic, Botswana
2010–2012 Creative Technologist, Research & Development, The New York Times, New York
2007–2010 Director of Creative Technology, Local Projects, New York
2003–2006 Co-Founder, Yellow Arrow, New York

Solo Exhibitions

2022 Macrophones, Knight Campus for Accelerating Scientific Impact, University of Oregon
2021 Terminal Moraine, Brooklyn Botanic Garden, New York (w/ Ben Rubin)
2018 Fascists, Lovers, and Other Lonely Ghosts, Granoff Center for the Creative Arts, Providence
2012 Quotidian Record, Eyebeam, New York
2009 Engagement Party, MOCA, Los Angeles (w/ Sue Huang)
2006 5 ‘til 12, Beall Center for Art and Technology, Irvine (w/ Sue Huang)

Selected Group Exhibitions

2022 New York City Electroacoustic Music Festival, New York
2022 Port Futures & Social Logistics, The University of Georgia, Athens
2022 Desbosque, Museo de Arte Contemporáneo, Lima, Perú (w/ FIBRA)
2021 Displacements, Gray Area, San Francisco (w/ Annie Aries and Marcel Zaes)
2021 A (Post-) Pandemic Practice, Swissnex, San Francisco (w/ Annie Aries and Marcel Zaes)
2019 Submerge, Science Gallery, Bengaluru, India
2019 ...And Other Such Stories, Chicago Architecture Biennial, Chicago (w/ Center for Spatial Research)
2019 Creature: When Species Meet, Contemporary Art Center, Cincinnati
2019 MediaLive: Subterranean, Museum of Contemporary Art, Boulder
2019 Collective Action Archive: Redux, Franklin Street Works, Stamford (w/ Sue Huang)
2019 Multispecies Storytelling, Linnaeus University, Växjö, Sweden
2018 Watershed, University of the Witwatersrand, Johannesburg, South Africa
2018 Fak'ugesi Digital Innovation Festival, Johannesburg, South Africa
2018 Metsikud Bitid, Maajaam, Otepää, Estonia
2018 Trans Utopias. Mobility. Movement. Mobilization, CentroCentro Cultural Centre, Madrid, Spain
2018 Intersections, International Symposium on Electronic Art (ISEA), Durban, South Africa
2017 Feminist Climate Change, Ars Electronica, Linz, Austria (w/ Sue Huang)
2017 Megapolis Audio Art Festival, Philadelphia
2017 Land Trust, Redline Gallery, Denver
2017 Storm Warning, Vicki Myhren Gallery (University of Denver), Denver
2017 Ever Elusive, Transmediale, Berlin, Germany
2016 The Spaces We're In, NEoN Digital Arts, Dundee, Scotland (w/ Sue Huang)
2016 Reality Under Surveillance, Speculum Artium, Trbovlje, Slovenia
2016 Acoustic Infrastructures, Eyebeam, New York
2016 Atmospheres, Granoff Center for the Creative Arts, Providence
2015 Take Karaoke / Fight Logic, Cohen Gallery, Providence
2015 Infosphere, ZKM, Karlsruhe, Germany
2015 Eyebeam in Objects, Upfor Gallery, Portland
2015 Captive Portal, Center for Contemporary Art, Tel Aviv, Israel
2015 New Aesthetic?, Queensland University of Technology, Brisbane, Australia
2015 Art of Self-Tracking, Quantified Self Expo, San Francisco
2015 Lifelogging, Science Gallery, Dublin, Ireland
2015 Ampersand, MIT List Visual Arts Center, Cambridge
2015 From Field Recording to Data Sonification in Late Capitalism, Labor Neunzehn, Berlin, Germany
2014 Wetland, Schuylkill Center, Philadelphia
2014 Data & Society, Rubin Museum, New York
2014 Pale Firework, Gelman Gallery, Providence
2014 NIME, London, UK
2014 Imprint of the City, Issue Project Room, New York
2014 Print Screen, Mediatheque, Holon, Israel
2014 Buildering: Misbehaving The City, Contemporary Arts Center, Cincinnati (w/ Sue Huang)
2014 Biennial Symposium, Ammerman Center for Arts and Technology, New London
2013 Total Recall, Ars Electronica, Linz, Austria
2013 Neuromast: Certain Uncertainty and Contemporary Art, Franklin Street Works, Stamford
2013 Under the Influence, Gelman Gallery, Providence (w/ Kyle McDonald)
2013 PRISM Breakup, Eyebeam, New York (w/ Kyle McDonald)
2013 Where are We Now?, The Collection Lincoln & Usher Gallery, Lincolnshire, UK
2013 iNTERFACES, Black & White Festival, Porto, Portugal
2013 Megapolis Audio Art Festival, New York
2013 New York City Electroacoustic Music Festival, New York
2013 Binary, Largo Das Artes, Rio de Janeiro, Brazil
2013 Habits of Living, Granoff Center for the Creative Arts, Providence
2013 Annual Showcase, Eyebeam, New York
2012 Forty-eight to Sixteen, Eyebeam, New York
2012 Infinitely Poignant Future Pastness, Brown University, Providence
2012 Conflux Festival, New York
2012 DataVis: Information as Art, Beall Center for Art and Technology, Irvine
2012 urbanoFILM Festival, Stuttgart, Germany
2011 Klein Kunst Party, Platoon Kunsthalle, Seoul, South Korea (w/ Topu Lyo and Mike Thies)
2010 Relay Drawing, Los Angeles Contemporary Exhibitions, Los Angeles (w/ Sue Huang)
2010 Live Footage, Monkeytown, New York (w/ Topu Lyo and Mike Thies)
2010 Megapolis Audio Art Festival, Baltimore
2008 Rhizome Commissions, New Museum of Contemporary Art, New York (w/ Sue Huang)
2008 Conflux Festival, Center for Architecture, New York
2008 FILMOBILE, London Gallery West, London, UK (w/ Sue Huang)
2008 Design and the Elastic Mind, MoMA, New York (w/ Christopher Allen, Jesse Shapins, Kara Oehler)
2007 Arte.Mov, Palácio das Artes, Belo Horizonte, Brazil
2007 Conflux Festival, UnionDocs, Brooklyn
2006 Sónar Festival, Barcelona, Spain
2006 ZeroOne, ISEA, San Jose
2006 Conflux Festival, McCaig-Welles Gallery, Brooklyn (w/ Jesse Shapins)
2005 Glowlab Open Lab, Art Interactive, Cambridge (w/ Jesse Shapins)
2005 Loving Berlin, Deutsches Architektur Zentrum, Berlin, Germany (w/ Sue Huang)
2005 Certain Movement, The Tank, New York (w/ Megan Metcalf)
2004 The Case at Kulturhuset, Stockholms Kulturhuset, Stockholm, Sweden (w/ Sue Huang)
2004 Conflux Festival, Participant Inc, New York (w/ Christopher Allen and Jesse Shapins)
2004 Art and Technology, Stadsbiblioteket, Göteborg, Sweden

Awards

2023 Awardee, Creative Capital, New York
2022 Residency, The Arctic Circle Expedition, Svalbard, Norway
2022 Residency, Leonardo at Djerassi, California
2022 Fellowship, Center for Art Research, University of Oregon
2021 Finalist, Creative Capital, New York
2021 Membership, NEW INC, New York
2021 Grant, Swissnex, San Francisco
2020 Finalist, Creative Capital, New York
2019 First Prize Editorial Award, Chronus Art Center, Shanghai, China
2018 Residency, University of the Witwatersrand, Johannesburg, South Africa
2018 Residency, Maajaam, Estonia
2018 Residency, Media Archeology Lab, University of Colorado, Boulder
2018 Finalist, FETA Foundation Prize in Sound Art, Miami
2017 Commission, University of Denver, Denver
2016 Commission, NEoN Digital Arts, Dundee, Scotland
2016 Residency, Rocky Mountain Biological Laboratory, Gothic
2016 Residency, MASS MoCA, North Adams
2016 Project Residency, Eyebeam, New York
2016 Finalist, FETA Foundation Prize in Sound Art, Miami
2015 Fellowship, Tow Center for Digital Journalism, Columbia University, New York
2014 Commission, Contemporary Art Center, Cincinnati
2013 Grant, Creative Arts Council, Brown University, Providence
2013 Fellowship, Open Graduate Education, Brown University, Providence
2013 Residency, Free103point9 Wave Farm, Catskill
2013 Award, iNTERFACES Interactive Art Competition, Porto, Portugal
2012 Fellowship, Howard and Jan Swearer Foundation, Brown University, Providence
2012 Residency, Eyebeam, New York
2011 Award, Core 77 Design (notable), New York
2009 Residency and Commission, MOCA, Los Angeles
2007 Commission, Rhizome at the New Museum, New York
2006 Commission, Beall Center for Art and Technology, Irvine
2004 Commission, Stockholms Kulturhuset, Stockholm, Sweden
2003 Residency, Studio for Electro-Instrumental Music (STEIM), Amsterdam, Netherlands

Peer-Reviewed Articles

2020 “Acid Love: Mines, Remediation, and Ensembles of the Witwatersrand,” in Leonardo (54:5), ed. Lenore Manderson and Christo Doherty
2019 “Animas: Disaster, Data, and the Resonance of a River,” in Journal of Sonic Studies (18), ed. Caleb Kelly
2019 “Everything That Happens Will Happen Today,” in Chronus Art Center Editorial: Resurrecting Cybernetics (1), ed. Jiang Yuhui
2018 Thomas R. Kirchner, Hong Gao, Daniel J. Lewis, Andrew Anesetti-Rothermel, Heather A. Carlos, Brian House, “Individual Mobility and Uncertain Geographic Context,” in Journal of Healthcare Informatics Research
2017 “Machine Listening,” in APRJA: Machine Research (6:1), eds. Christian Ulrik Andersen and Geoff Cox
2017 “Against Listening,” in Contemporary Music Review (36:6), eds. Lenore Manderson and Ed Osborn
2013 “OpenPaths: Empowering Personal Geographic Data,” in Proceedings of the 19th International Symposium on Electronic Art

Book Chapters

2020 “Quotidian Record: The Musical Interpretation of Mobile Phone Location Data,” in The Routledge Companion to Mobile Media Art, eds. Larissa Hjorth, Adriana de Souza e Silva, Klare Lanson, Routledge
2018 “Synchronizing Uncertainty: Google’s Spanner and Cartographic Time,” in DATA browser: Executing Practices, eds. Helen Pritchard, Eric Snodgrass, and Magda Tyźlik-Carver, Open Humanities Press
2014 “Subversive Mobile Storytelling,” in Mobile Media Making in an Age of Smartphones, eds. Marsha Berry and Max Schleser, Palgrave Pilot

Essays

2020 “Urgency,” in Design Research Forum: Agency X Urgency, Harvard GSD
2020 “The Noise Between,” in Avery Shorts, ed. Jesse Connuck, Columbia University Press
2019 Laura Kurgan, Dare Brawley, Brian House, Jia Zhang, and Wendy Hui Kyong Chun, “Homophily: The Urban History of an Algorithm,” in e-flux Architecture, eds. Nick Axel, Nikolaus Hirsch
2019 “Stalking the Smart City,” in Urban Omnibus, ed. Mariana Mogilevich
2019 “Keeping Time at MAAJAAM,” in Estonian Art, ed. Stacey Koosel
2016 “Urban Intonation,” in continent.: Acoustic Infrastructures (5:3), eds. Jamie Allen, Lital Khaikin, Isaac Linder
2014 “Mary Mattingly’s WetLand,” in Title Magazine, ed. Jacob Feige
2009 Brian House and Jesse Shapins, “Designers and Citizens as Critical Media Artists,” in Urban Omnibus, ed. Cassim Shepard
2007 Brian House and Sue Huang, “Hundekopf: Nonlinear Narrative in Mixed Reality,” in Vague Terrain (6), ed. David McCallum

Conference Papers

2022 “Macrophones: Listening to the Climate Crisis via Infrasound,” International Symposium on Electronic Art (ISEA), Barcelona, Spain
2022 “Extraction and Resonance,” Urban Violence, University of Oregon, Portland
2021 “Macrophones: Listening to the Climate Crisis via Infrasound,” Society for Literature, Science, and the Arts, University of Michigan, Ann Arbor
2021 “Workshop: Listening to Forests,” Critical Zones exhibition, ZKM, Karlsruhe
2021 “Macrophone check,” CAA / New Media Caucus, Chicago
2018 “Everything That Happens Will Happen Today,” International Symposium on Electronic Art (ISEA), Durban, South Africa
2017 “Animal Behavior: Rhythmanalysis and the More-than-Human,” Society for Literature, Science, and the Arts, Arizona State University, Tempe
2017 “On Wifi, Habits, and Rats,” Radical Networks, New York
2017 “Machine Listening: WaveNet, Media Materialism, and Rhythmanalysis,” Transmediale, Berlin, Germany
2017 Heidi Steltzer and Brian House, “Seeing Orange, Feeling Blue: Sound Art as an Approach to Bridge the Gap Between Public Perception and Scientific Understanding of Risk,” American Geophysical Union, New Orleans
2015 “Synchronizing Uncertainty: Google's Spanner and the Foreclosure of Time,” PARSE Biennial Research Conference on Time, Göteborg Universitet, Sweden
2015 “Quotidian Record: The Musical Interpretation of Personal Geographic Data,” Inertia, UCLA, Los Angeles
2015 “Interruption as Rhythm,” INTERRUPT, Brown University, Providence
2014 “OpenPaths: A New Approach to Aggregating Personal Geographic Data,” Subtle Technologies, Toronto
2014 Thomas Kirchner, Hong Gao, Andrew Anesetti-Rothermel, Heather Carlos, Brian House, “Longitudinal human mobility and real-time access to a national density surface of retail outlets,” UrbComp, New York
2013 “OpenPaths: Location, encryption, and participatory sensing,” PRISM Breakup, Eyebeam, New York
2013 “Quotidian Record: The Musical Interpretation of Personal Geographic Data,” Society of Electro-Acoustic Music in the United States, Wesleyan University, Middletown
2013 “OpenPaths: Empowering Personal Geographic Data,” International Symposium on Electronic Art (ISEA), Sydney, Australia
2012 “A New Approach to Aggregating Personal Geographic Data,” American Association of Geographers, New York
2011 “From Psychogeography to Rhythmanalysis,” Conflux Festival, New York
2007 Brian House and Jesse Shapins, “The Mixed-Reality City,” Narrative, Play & Learning in Multimodal Environments, University of Southern Denmark
2007 “Subversive Mobile Storytelling,” Arte.Mov, Belo Horizonte, Brazil

Invited Talks

2021 “Beyond Data Sonification,” University of Oregon, Eugene
2021 “Adapative Ecologies,” RISD, Providence
2020 “Small Sounds, Big Sounds,” Technische Universität, Berlin, Germany
2020 “Cities and Computers,” UC Davis, Davis
2019 “Art and Data,” Lewis & Clark College, Portland
2019 “Rhythmanalysis of the Earth, the Animal, and the Machine,” Arizona State University, Tempe
2019 “Data Publics and Public Data,” Columbia GSAPP, New York
2019 “Spatial Narratives,” Hunter College, New York
2019 “Aesthetics of Extraction,” NEW INC, New York
2019 “Beyond Data Sonification,” Columbia University, New York
2018 “Code Ecologies workshop,” School for Poetic Computation, New York
2018 “Urban Rhythms of Rats and Robots,” Cooper Union, New York
2018 “Urban Rhythms of Rats and Robots,” Cornell Tech, New York
2018 workshop on deep learning, University of Pennsylvania, Philadelphia
2018 artist talk, NYU ITP, New York
2018 “The Earth, the Animal, and the Machine,” Tshimologong Digital Innovation Precinct, Johannesburg, South Africa
2018 “Rivers, Rats, and RNNs,” Eyeo Festival, Walker Museum of Art, Minneapolis
2018 artist talk, SUNY, Buffalo
2018 “Physical Data: Site, Sound, and the Social,” Lewis & Clark College, Portland
2017 artist talk, NYU Shanghai, Shanghai, China
2017 artist talk, Connecticut College, New London
2017 artist talk, University of Denver, Denver
2016 workshop and artist talk, Washington University, St. Louis
2016 workshop and artist talk, Youngstown State University, Youngstown
2015 “Eavesdroppers, Ventriloquists and Ghosts,” UnionDocs, New York
2015 “Shake Hands like Leaves (w/ Lucia Monge),” AV Synth Workshop, Dartmouth
2015 “Tool() Symposium panel,” RISD, Providence
2015 “Playfest, artist talk,” Oberlin College, Oberlin
2015 “Google Maps and artistic practice,” BRIC Arts, New York
2014 visiting critic, Smith College, Northhampton
2014 artist talk, Leaders in Software Art, New York
2014 “Brian House & Nick Felton: Automatic Data, Personal Documentary,” UnionDocs, New York
2014 “Making Design Weird,” Better World by Design, Providence
2014 “Quotidian Rhythms and Political Frictions,” Eyeo Festival, Walker Museum of Art, Minneapolis
2013 artist talk, School for Poetic Computation, New York
2013 artist talk, NYU ITP, New York
2013 “Knifeandfork and Collective Practice,” SUNY Purchase, Purchase
2013 “Poetics of Computer Language” panel, Eyebeam, New York
2012 artist talk, Internet of Things Meetup, New York
2012 guest critic, Harvard GSD, Cambridge
2012 guest critic, Columbia GSAPP, New York
2011 “Video Art and Experimental Film Festival” panel, Tribeca Cinemas, New York
2011 artist talk, Google, New York
2011 lecture on behavior mining, OpenPlans, New York
2011 “Poetic Urbanisms,” Harvard GSD, Cambridge
2011 “From Psychogeography to Rhythmanalysis,” Hunter College, New York
2010 round-table talk on digital humanities, UCSB, Santa Barbara
2010 guest critic, Parsons D+T, New York
2008 “Subversive Mobile Storytelling,” RISD, Providence
2008 “Writing Cities” symposium, MIT, Cambridge
2008 artist talk, Dorkbot NYC, New York
2008 “Subversive Mobile Storytelling,” University of Westminster, London
2008 “Nonlinear Narrative in Urban Space,” SUNY Buffalo, Buffalo
2007 guest critic, NYU ITP, New York
2006 “Interactivity and Nonlinear Narrative,” MICA, Baltimore
2006 guest artist for Time Capsule project, Yahoo!, Sunnyvale
2006 “Interactivity and Nonlinear Narrative,” UC Irvine, Irvine
2006 “Mobile Social Software,” UCLA Design | Media Arts, Los Angeles
2005 artist talk, Harvard GSD, Cambridge
2005 “Living Lab” panelist, IT University of Copenhagen, Copenhagen
2005 artist talk, Dorkbot NYC, New York
2005 guest critic, NYU ITP, New York
2004 artist talk, MIT Department of Urban Studies and Planning, Cambridge

Bibliography—Books, Chapters, and Journals

2022 Jeanne Devautour Choi and Samuel Boury, “Random walks through poetry,” in Digital Creativity, Routledge
2021 Sofian Audry, Art the Age of Machine Learning, MIT Press
2019 Andreas Broeckmann, “The Machine as Artist as Myth,” in Arts (8:1)
2018 Jessica Thompson, “Beyond 'Beyond Locative Media Art': Art, Data and the Politics of Place,” in Drain (15:1)
2017 Lenore Manderson and Ed Osborn, “Rumble Filters: Sonic Environments and Points of Listening,” in Contemporary Music Review (36:3)
2017 Lucy Bullivant, 4D Hyperlocal : A Cultural Toolkit for the Open-Source City, Wiley
2016 Gemma Argüello Manressa and Sondra Bacharach, “Digital Street Art,” in Collaborative Art in the Twenty-First Century, eds. Sondra Bacharach, Siv B. Fjærestad, Jeremy Neil Booth, Routledge
2016 Bianca Gai, “Costruire Il Libro Del Futuro. Dematerializzazione, Geolocalizzazione e Realtà Virtuale.,” in Open Literature. La Cultura Digitale Negli Studi Letterari, eds. Virginia Pignagnoli, Silvia Ulrich
2016 Eve Kalyva, “Where are my keys? The now of critique in a plurality of voices,” in Notebook for Art, Theory, and Related Zones (21)
2016 Johanna Linsley, “Possible Public and Private Narratives,” in Contemporary Theatre Review (26)
2016 Dan Ehrenfeld, “The Cloud and the Mine,” in Kairos: A Journal of Rhetoric, Technology, and Pedagogy (21:1)
2016 Bree Hadley, “Mobilising the mobilities paradigm in drama, theatre and performance studies,” in Australasian Drama Studies (69)
2015 Ulrik Ekman, Jay David Bolter, Lily Diaz, Maria Engberg, Morten Søndergaard, Ubiquitous Computing, Complexity, and Culture, Routledge
2015 Nassim JafariNaimi, “MRx as a participatory platform,” in Digital Creativity (26:3)
2015 Francis Marchese, “The Art of Urban Engagement,” in Media Art and the Urban Environment, Springer
2014 Cathy Cox, “Interactive Technologies in Music Composition: Towards a Theory of Interactivity,” in Music Research: New Directions for a New Century, Cambridge Scholars Publishing
2013 Malcolm McCullough, Ambient Commons: Attention in the Age of Embodied Information, MIT Press
2013 Matteo Marangoni, “Quotidian Record: Listening To The Calendar Year,” in Neural (46)
2013 Cristina Sá, “From conception to exhibition: The 'iNTERFACES' competition.,” in Journal of Science and Technology of the Arts (5:1)
2012 Grant Kester, “Galatea's Gaze: Ethics, Spectacle, and Participation,” in Engagement Party: Social Practice at MOCA 2008-2012, ed. Aandrea Stang, The Museum of Contemporary Art
2012 Zachary Kaplan, “Knifeandfork,” in Engagement Party: Social Practice at MOCA 2008-2012, ed. Aandrea Stang, The Museum of Contemporary Art
2011 Mark Shepard, “Toward the Sentient City,” in Sentient City: Ubiquitous Computing, Architecture, and the Future of Urban Space, ed. Mark Shepard, The MIT Press
2011 Eric Gordon, Adriana de Souza e Silva, Net Locality: Why Location Matters in a Networked World, Wiley
2010 Mattia Casalegno, “The Research of Knifeandfork: In Between Technology and Participation,” in Digimag Journal (52)
2010 Rita Raley, “Walk This Way: Mobile Narrative as Composed Experience,” in Beyond the Screen, eds. Jörgen Schäfer, Peter Gendolla, Transcript Verlag
2010 Britta Timm Knudsen, Re-investing Authenticity: Tourism, Place and Emotions, Channel View
2009 Graham Coulter-Smith, Deconstructing Installation Art, Brumaria
2008 Christine Nippe, “City Representations in Net Art,” in The Electronic City, eds. Ulrike Bucher, Maros Finka, Berliner Wissenschafts-Verlag
2008 Paola Antonelli, Design and the Elastic Mind, The Museum of Modern Art
2007 Robert Klanten, Sven Ehmann, and Matthias Hubner, Tactile: High Touch Visuals, Die Gestalten Verlag

Bibliography—Print Periodicals

2019 “Chicago Architecture Biennial Preview: Spatial Research and Urban Conflict,” Metropolis, September 18
2018 “Listen to the World,” The New York Times Magazine, September 23
2018 “A Watershed in the Arts and Science,” Wits University Curiosi.ty, May
2017 “The 48 Hour Summit Brings Socially Engaged Art to RedLine,” Westword, August 11
2017 “Myhren Gallery's Storm Warning Heats Up the Debate Over Climate Change,” Westword, April 11
2017 “Climate change art exhibit a real community service,” The Denver Post, March 16
2017 “Machine Research,” Transmediale Newspaper, February
2015 “Data as Mirror,” ARCADE, Spring
2015 “Globale,” Kunstforum International, 237: 2015
2013 “Sense of Hearing,” Chuan Art, Summer
2011 “The 50 Best Inventions of the Year,” TIME Magazine, November 28
2011 “Poetic Urbanisms,” Harvard Gazette, February 15
2010 “In Your Palm, Memories of Horror and Valor,” The New York Times, September 12
2008 “MAAP-making,” PRAXIS, 10: Urban Matters
2006 “Yellow Arrow—Capitol of Punk,” SPIN, May
2006 “Yellow Arrow,” Taiwan Daily News, April
2006 “Making Connections, Here and Now,” The New York Times, January 25
2005 “What the Situationists left behind: Psychogeography,” NY Arts Magazine, October
2005 “Targeting the 'Art' Around Every Corner,” The Washington Post, July 2
2005 “Make a Connection,” Berliner Zeitung, June
2005 “The Art of Mobile Technology,” The Boston Globe, April 18
2005 “PUBLIC ART: House Haiku? Just dial,” Newsweek, March 14
2005 “Sticker Talk,” Metropolis, February
2004 “Text in the City,” WIRED Magazine, September
2004 “Visitors solve 'The Case at Kulturhust',” Dagens Nyheter, April 27
2004 “The Case at Kulturhuset,” Svenska Dagbladet, April 15
2004 “Art and Technology Go Hand in Hand,” Göteborgs-Posten, December 19

Bibliography—TV and Radio

2021 Metric Displacement on WFMU, October 22
2018 Urban Intonation on WFMU, October 2
2018 Urban Intonation on WNYC, September 19
2017 Animas on Colorado Public Radio, March 31
2015 What Does the Internet Sound Like? on SWR2 (Germany), August 24
2014 Conversnitch on Fox News, April 23
2013 Change Ringing on WGXC, August 10
2009 Make History on WNYC, September 10
2009 Trying the Hand of God on KMEX / Univision 34, April 2
2005 Yellow Arrow on WNBC, July 2
2005 Yellow Arrow on Weekend America, June 5
2004 Knifeandfork on Rocketboom, December 14
2004 Yellow Arrow on NY1, October 3

Bibliography—Online

2021 “Brian House and Ben Rubin Sonify Deep History at Brooklyn Botanic Garden,” HOLO, September 4
2021 “‘Terminal Moraine’ Artists Intend to Bring Brooklyn Back to its Glacial Roots,” Columbia Climate School State of the Planet, March 26
2019 “This radio station broadcasts sounds of rats – and it sounds amazing,” Create Digital Music, April 8
2018 “Turning water pollution into audiolized awareness,” Flowing Data, September 13
2018 “Dirty Rat,” Phantom Power, April 9
2018 “A Rat Named Nemesis,” New Yorker, May 19
2017 “This art installation creates sounds based on real-time data from a polluted river,” The Verge, April 25
2017 “Animas River Sound Sculpture,” Those Who Make Waves, May 4
2016 “Acoustic Infrastructure,” Continent., Summer
2016 Liat Berdugo, “I'd Swipe Right on Yr Metadata,” Transart Triennale Blog, June 6
2015 “Objectifying Our Digital Lives,” Hyperallergic, September 30
2015 “What Does Data Sound Like?,” Frontier, May
2014 “The Beautiful Near-Silence of Botswana's Okavango Delta at Night,” Gizmodo, September 24
2014 “Conversnitch Surveillance Art Project Is Spying On You Via Lamps,” Huffington Post UK, May 25
2014 “Conversnitch turns covert surveillance into an art form,” The Guardian, May 16
2014 “An Eavesdropping Lamp That Livetweets Private Conversations,” WIRED, April 23
2014 “That Lamp Over There? It's Spying On You,” Motherboard, April 23
2014 “A lamp is spying on New Yorkers and tweeting their conversations,” The Verge, April 23
2014 “This Light Bulb Is Listening,” Slate, April 23
2014 “Terrifying Lamp Will Record Your Conversations Then Live-Tweet 'Em,” Creator's Project, April 23
2014 “This Is What Facebook Sees When It Scans Your Face,” BuzzFeedNews, April 21
2013 “Digital Delta,” The Ascender, November 13
2013 “Quotidian Record: Artist Brian House Turns Tracking Data Into A Vinyl Music Experience,” Huffington Post, July 26
2013 “Artist Turns a Year’s Worth of Tracking Data Into a Haunting Record,” WIRED, July 22
2013 “Sonification and the (re-)performance of data – an interview with Brian House,” Creative Applications, July 12
2013 “Soundtrack Of Your Life: Get Into The Groove Of Tracking Your Every Move In Vinyl,” Fast Company Design, July 8
2012 “How One Man's Bicycle Commute Inspired a Strange Song,” The Atlantic Cities, September 25
2012 “Commute as Composition — Brian House's Forty-eight to Sixteen,” Creative Applications, September 24
2012 “In Percussive Harmonies, A Record of a Year of Travel,” Create Digital Music, August 8
2012 “The Quotidian Record inscribes a year of location data onto a vinyl EP,” The Verge, July 5
2012 “Art and tech, aesthetics and hacking meet at Eyebeam's open studios,” Capital New York, July 7
2012 “Data Reenactment: Street View Video from a Stolen Phone,” New-Aesthetic, March 1
2012 “Own and securely store your location with OpenPaths,” Flowing Data, January 26
2011 “NYTLabs Magic Mirror Reveals News and Health Statistics,” Infoaesthetics, November 28
2011 “New York Times' magic mirror helps you get dressed, puts the 'wall' in 'paywall',” Engadget, September 5
2011 “NY Times' Kinect-Assisted Mirror Delivers News, Coupons and Fashion Tips As You Brush Your Teeth,” Popular Science, September 2
2011 “NYT Working On 'Magic Mirror' For Bathroom Surfing,” Slashdot, September 2
2011 “Mirror, mirror: The New York Times wants to serve you info as you're brushing your teeth,” Nieman Journalism Lab, August 31
2011 “Data Reenactment via Stolen iPhone,” Flowing Data, July 21
2011 “Following a Stolen iPhone's Path in Google's Getaway Car,” Gizmodo, July 19
2011 “OpenPaths lets you visualize your iPhone location data, donate it to science,” Engadget, May 11
2011 “OpenPaths,” Creative Applications, May 5
2010 “Trying the Hand of God,” Rhizome.org, July 2
2010 “Pull My Ears,” Locally Toned, June 18
2010 “How Art Museums Are Striving to Stay Relevant for a New Generation,” The Huffington Post, March 28
2009 “Make History: Aggregating Experiences,” Information Aesthetics, September 15
2009 “Make History Gathers Stories Over Streetviews,” Core77, September 11
2009 “MOCA Becomes a Mini Golf Course. Plus: Donuts,” NBC Los Angeles, March 5
2009 “Art Meets Sport at MOCA,” Los Angeles Times, February 23
2006 “5 'til 12,” We-Make-Money-Not-Art, January 16
2005 “Placing Voices,” We-Make-Money-Not-Art, April 5