Brian House is an artist whose performances, installations, and interventions address our relationship to technology through rhythm.
Brian has exhibited in museums and galleries including MoMA (NYC), MOCA (LA), Cincinnati Contemporary Arts Center, Tel Aviv Center for Contemporary Art, Stockholm’s Kulturhuset, Science Gallery Dublin, and ZKM | Center for Art and Media, been featured at festivals including Ars Electronica, Transmediale, ISEA, NIME, and Conflux, and performed at venues such as Issue Project Room, Platoon Kunsthalle Seoul, and The Stone. TIME, WIRED, The New York Times, Neural, Metropolis, and Univision Sports have written about his work, as has Creative Applications, Create Digital Music, and the Guardian online.
Previously, Brian was a member of the R&D Lab at the New York Times where his work was recognized by Time Magazine's Best Inventions of the Year. Brian has also led technology at the award-winning design studio Local Projects, developed interdisciplinary courses at RISD Digital+Media, Parsons Design & Technology, and at Columbia’s Graduate School of Architecture. He has been an artist-in-residence at Eyebeam, MassMOCA, and the Rocky Mountain Biological Lab, and a fellow at the TOW Center for Digital Journalism. In 2015, Brian participated in a National Geographic-funded transect of the Okavango river system in central Africa as a technologist and sound recordist.
Brian holds degrees in computer science, art, and media studies and is a PhD candidate at Brown University. He comes from Denver and lives in Providence.